Barbara_Bestor_Blackbirds_4

Bestor’s Blackbirds: The Woonerf Lands in L.A.

The hills of Los Angeles’s Echo Park neighborhood are carved by steep narrow roads and studded with oaks, eucalyptuses, and neon bursts of bougainvillea. A quiet, sleepy air pervades the sidewalks, which run by faded stucco apartment buildings and modest

Barbara_Bestor_Blackbirds_4

Bestor’s Blackbirds: The Woonerf Lands in L.A.

The hills of Los Angeles’s Echo Park neighborhood are carved by steep narrow roads and studded with oaks, eucalyptuses, and neon bursts of bougainvillea. A quiet, sleepy air pervades the sidewalks, which run by faded stucco apartment buildings and modest

CRST-MHA111_Hamma-p074-PatriciaHamma

Midcentury California Cohousing: Crestwood Hills

THE ORIGIN of Crestwood Hills begins in the cadence of a fairytale. Four musicians, returning from war, dreamt of combining their resources to build four neighborly homes around a swimming pool. It was 1946, in the midst of a severe housing

CRST-MHA111_Hamma-p074-PatriciaHamma

Midcentury California Cohousing: Crestwood Hills

THE ORIGIN of Crestwood Hills begins in the cadence of a fairytale. Four musicians, returning from war, dreamt of combining their resources to build four neighborly homes around a swimming pool. It was 1946, in the midst of a severe housing

Los-Angeles-River-and-Downtown_28455_k5db_l

Playing the L.A. River

“Park vs. condos debate—costumes recommended,” reads one of the instructions on a playing card for a plot of land near the Los Angeles River. This tongue-in-cheek prompt for open-air theater comes from a recently launched initiative called Play the LA River.

Los-Angeles-River-and-Downtown_28455_k5db_l

Playing the L.A. River

“Park vs. condos debate—costumes recommended,” reads one of the instructions on a playing card for a plot of land near the Los Angeles River. This tongue-in-cheek prompt for open-air theater comes from a recently launched initiative called Play the LA River.

hollywood-bowl

Earthquakes, Mudslides, Fires & Riots: California & Graphic Design, 1936–1986

“MONOTONE DOES NOT signal class (at least in Southern California),” writes designer Lorraine Wild in Louise Sandhaus’s recent survey Earthquakes, Mudslides, Fires & Riots: California & Graphic Design, 1936–1986. Wild’s observation, like many others in this captivating, dayglo-jacketed book, celebrates a visual

hollywood-bowl

Earthquakes, Mudslides, Fires & Riots: California & Graphic Design, 1936–1986

“MONOTONE DOES NOT signal class (at least in Southern California),” writes designer Lorraine Wild in Louise Sandhaus’s recent survey Earthquakes, Mudslides, Fires & Riots: California & Graphic Design, 1936–1986. Wild’s observation, like many others in this captivating, dayglo-jacketed book, celebrates a visual

Ciclavia Day

Why Letting Thousands of People Take Over the Streets Is a Good Idea

On a recent afternoon, the Second Street Tunnel in downtown Los Angeles was not jammed with noxious, idling cars. Instead, hundreds of bicyclists rode through, whooping and shouting to hear the acoustics of the gloriously free tunnel. They could enjoy

Ciclavia Day

Why Letting Thousands of People Take Over the Streets Is a Good Idea

On a recent afternoon, the Second Street Tunnel in downtown Los Angeles was not jammed with noxious, idling cars. Instead, hundreds of bicyclists rode through, whooping and shouting to hear the acoustics of the gloriously free tunnel. They could enjoy

clui

Being There: On the Center for Land Use Interpretation

Occupying a bleached-out building on a busy street and marked only by a small logo, the Center for Land Use Interpretation (CLUI) has spent nearly 20 years redefining geography, and inviting the public to join them. This isn’t about mapping roads and

clui

Being There: On the Center for Land Use Interpretation

Occupying a bleached-out building on a busy street and marked only by a small logo, the Center for Land Use Interpretation (CLUI) has spent nearly 20 years redefining geography, and inviting the public to join them. This isn’t about mapping roads and

Telephone Nook 1_Laure Joliet

Competing Utopias: Modern Design on Both Sides of the Iron Curtain

“I always thought of the [Soviet] East in black-and-white, and the West in color,” says filmmaker Bill Ferehawk. He is one of six curators of the installation “Competing Utopias,” which puts this preconception to the test by placing furniture and

Telephone Nook 1_Laure Joliet

Competing Utopias: Modern Design on Both Sides of the Iron Curtain

“I always thought of the [Soviet] East in black-and-white, and the West in color,” says filmmaker Bill Ferehawk. He is one of six curators of the installation “Competing Utopias,” which puts this preconception to the test by placing furniture and